영문 The Night of The Hunter 사냥꾼의 밤 영화 대사

등록일 / 수정일
페이지 / 형식
자료평가
구매가격

2015.06.27 / 2015.06.27
100페이지 / hwp (아래아한글2002)
평가한 분이 없습니다. (구매금액의 3%지급)
1,000원

다운로드장바구니

Naver로그인

Kakao로그인

최대 20페이지까지 미리보기 서비스를 제공합니다.

자료평가하면 구매금액의 3%지급!

영문 The Night of The Hunter 사냥꾼의 밤 영화 대사-1페이지

영문 The Night of The Hunter 사냥꾼의 밤 영화 대사-2페이지

영문 The Night of The Hunter 사냥꾼의 밤 영화 대사-3페이지

영문 The Night of The Hunter 사냥꾼의 밤 영화 대사-4페이지

영문 The Night of The Hunter 사냥꾼의 밤 영화 대사-5페이지

영문 The Night of The Hunter 사냥꾼의 밤 영화 대사-6페이지

영문 The Night of The Hunter 사냥꾼의 밤 영화 대사-7페이지

영문 The Night of The Hunter 사냥꾼의 밤 영화 대사-8페이지

영문 The Night of The Hunter 사냥꾼의 밤 영화 대사-9페이지

영문 The Night of The Hunter 사냥꾼의 밤 영화 대사-10페이지

영문 The Night of The Hunter 사냥꾼의 밤 영화 대사-11페이지

영문 The Night of The Hunter 사냥꾼의 밤 영화 대사-12페이지

영문 The Night of The Hunter 사냥꾼의 밤 영화 대사-13페이지

영문 The Night of The Hunter 사냥꾼의 밤 영화 대사-14페이지

영문 The Night of The Hunter 사냥꾼의 밤 영화 대사-15페이지

영문 The Night of The Hunter 사냥꾼의 밤 영화 대사-16페이지

영문 The Night of The Hunter 사냥꾼의 밤 영화 대사-17페이지

영문 The Night of The Hunter 사냥꾼의 밤 영화 대사-18페이지

영문 The Night of The Hunter 사냥꾼의 밤 영화 대사-19페이지

영문 The Night of The Hunter 사냥꾼의 밤 영화 대사-20페이지

추천 연관자료

본문내용: The Night of the Hunter
by
James Agee,David Grubb
& Charles Laughton
FULL SHOT -- THE STARLIT SKY
VOICE
And he opened his mouth and taught them,
saying...
FADE sky to DAY.
LAP DISSOLVE TO
LONG SHOT -- HELICOPTER -- OHIO RIVER COUNTRY
High over the country, CENTERING the winding river.
VOICE
Beware of false prophets....
LOWER LONG SHOT -- HELICOPTER -- RIVER COUNTRY
We approach a riverside village.
VOICE
... which come to you in sheeps clothing ...
A CLOSER, LOWER HELICOPTER SHOT
We descend low over a deserted house; CHILDREN in yard run and hide; we
hear "IT" counting "five, ten, fifteen, twenty..."
VOICE
... but inwardly, they are ravening wolves.
MEDIUM SHOT -- "IT"
He finishes his count with a loud "Hundred" and turns, then:
"IT"
Whats wrong?
We PAN as he comes towards a little boy, beside an open cellar door, who
gestures towards the open door. "IT" looks down.
"IT"
(a low gasp)
Heyy!
(then he shouts to all
and to us)
Heyy!
We DOLLY IN fast to, and TILT DOWN into, open cellar, into:
CLOSE SHOT -- A LEG
A skeletal leg in a rotted fume of stocking and a high-heeled shoe. We
HOLD a moment, then PULL UP and AWAY over the converging heads of several
CHILDREN. A CHILD whimpers softly.
HELICOPTER SHOT
The yard and the CHILDREN, same angle and height as the last descending
helicopter shot. We PULL BACK and AWAY.
VOICE
Ye shall know them by their fruits.
DISSOLVE TO
HIGH LONG SHOT -- HELICOPTER
CENTERING the river.
VOICE
A good tree cannot bring forth evil fruit....
LOWER LONG SHOT (HELICOPTER)
CENTERING on open touring car, as it drives along a river road.
VOICE
Neither can a corrupt tree bring forth good
fruit.
We stoop low towards the car.
VOICE
Wherefore by their fruits, ye shall know them.
CUT TO
CLOSE SHOT -- PREACHER
He is the driver of the car. Pleasant river landscapes (PROCESS) flow behind
him. He is dressed in dark clothes, a paper collar, a string tie. As he
drives, he talks to himself.
PREACHER
Whats it to be, Lord, another widow? Has it
been six? Twelve? ... I disremember.
He nods, smiles, and touches his hat. We see a farm couple in a poor wagon.
PREACHER
You say the word, and Im on my way.
LAP DISSOLVE TO
CLOSE SHOT -- PREACHER DRIVING
He brakes his car in a small riverside town; then proceeds.
PREACHER
You always send me money to go forth and preach
your Word. A widow with a little wad of bills
hidden away in the sugar-bowl.
LAP DISSOLVE TO
CLOSE SHOT -- PREACHER DRIVING
He shifts into second gear, climbing a steep little hill.
PREACHER
I am tired. Sometimes I wonder if you really
understand.
(pause)
Not that you mind the killins...
The stones of a country graveyard gleam in the last daylight.
PREACHER
Yore Book is full of killins.
He starts fast and noisily down a steep hill.
PREACHER
But there are things you do hate, Lord:
perfume-smellin things -- lacy things --
things with curly hair --
CUT TO
INT. A BURLESQUE HOUSE -- MEDIUM CLOSE SHOT -- A DANCER
She is hard at work to music o.s.
FULL SHOT -- AUDIENCE -- CENTERING ON PREACHER, IN AISLE SEAT
Among the members of the sad burlesque audience, he is in strong contrast:
a sour and aggressive expression. Music o.s. We MOVE IN fast to a HEAD
CLOSE-UP.
MEDIUM CLOSE SHOT -- THE DANCER
INSERT -- PREACHERS LEFT HAND
Labeled H-A-T-E in tattoo across four knuckles, it grips and flexes.
INSERT -- HIS RIGHT HAND
Before we see the lettering he slides it into his pocket.
EXTREME CLOSE SHOT -- PREACHER
His head slants; a cold smile; one eyelid flutters.
INSERT -- RIGHT HAND AND POCKET
We hear the snapping open of a switchblade knife and the point of the knife
cuts through his clothes.
LESS EXTREME CLOSE SHOT -- PREACHER
He seems to "listen" for something.
PREACHER
No, There are too many of them; you cant kill
the world.
A hand descends firmly onto his shoulder. He glances up behind him as we
TILT TO
CLOSE SHOT -- A STATE TROOPER
He bends down and speaks quietly next PREACHERs ear.
TROOPER
You driving an Essex tourin-car with a
Moundsville license?
LAP DISSOLVE TO
INT. COURTROOM -- CLOSE THREE-SHOT -- JUDGE AND CLERK, OVER PREACHER
JUDGE
Harry Powell, for the theft of that touring car
you will spend thirty days in the Moundsville
Penitentiary.
PREACHER
(correcting Clerk)
Preacher Harry Powell.
JUDGE
A car thief! Picked up where you were! A man
of God?
(to Clerk)
Harry Powell.
LAP DISSOLVE TO
FULL SHOT -- MOUNDSVILLE PENITENTIARY -- DAY (HELICOPTER)
A grim, stone-turretted facade; an American flag idles at top center.
LAP DISSOLVE TO
CLOSE DOWNWARD TWO-SHOT -- JOHN AND PEARL HARPER
They sit in the grass, a sentimental picture. JOHN is nine; PEARL is five.
They are working together on PEARLs doll; PEARL is dressing her, while
JOHN gets on a difficult shoe.
PEARL
Stand still, Miss Jenny!
JOHN
(across her)
There! Whats so hard about that?
He proudly exhibits the shod foot.
They hear the sound of an auto engine o.s. They look o.s. and get up, PEARL
dangling the doll.
LONG SHOT -- OVER THE CHILDREN -- BEN HARPERS FORD
A Model-T Ford ap

자료평가

아직 평가한 내용이 없습니다.

회원 추천자료

영문 Night Of The Living Dead 살아있는 시체들의 밤 영화 대사

Night Of The Living Dead Script- Theyre coming to get you, Barbara.- Stop it.They dont like being awakened this way.Why do you have to be so mean?Im your older brother.Being mean is part of my job.Theyre coming to get you, little sister.You never know when to stop.Whats the matter? Getting scared?Youre still scared of her, arent you?Thats why were here.No, thats not why were here.Why do we have to put ourselvesthrough this charade?Because she is our mother.Cant you give her one day of your life?One day? This is the fourth timein the three months since she died.I

영문 in the Heat Of The Night 밤의 열기 속으로 영화 대사

In The Heat Of The Night ScriptIn the heat of the nightSeems like a cold sweatcreepin across my browYeahIn the heat of the nightIm feelin motherless somehowStars with evil eyesStare from the skiesAll mean and brightIn the heat of the nightAint a woman yet been bornKnows how to make the mornin comeIts so hard to keep controlWhen I could sell my soulFor just a little lightIn the heat of the nightIn the heat of the nightIve got trouble wall to wallOh yes, I haveI repeatI repeat, in the nightMust be an ending to it allBut hold on, it wont be longJust you be strong

[기독교영화] 패션 오브 크라이스트, 다빈치 코드 분석

The Last Temptation of Christ> (1988)감독: Martin Scorsese주연: William Defoe (1971)제작: Andrew R. Weber출연: Ian Gillan, Lewis Cooper줄거리 영상예수께서 수난을 당하는 12시간을 있는 그대로 보여주는 영화예수가 지상에 머문 마지막 12시간. 4복음서의 내용을 바탕으로 Mel Gibson과 Benedict Pitzerald가 각색하였다.예수, 제자들, 유대인들은 고대 아람어, 로마인들은 라틴어의 대사를 한다.극명한 음영의 대비를 위해 촬영의 40%는 밤 또는 어두운 실내에서

[영미희곡] 테네시 윌리엄즈 Tennessee Williams와 `A Streetcar Named Desire`

The Glass Menagerie과 함께 테네시 윌리암스의 희곡 중 가장 많은 대중적 인기를 누린 작품이기도 하다. 그 중 가장 성공적인 영화는 단연 Elia Kazan 감독, Vivien Leigh, Marlon Brando 주연의 1951년 작이다. 연극 연출가 출신의 엘리아 카잔은 일찍이 이 극과 Cat on a hot tin roof 등 테네시 윌리암스의 희곡을 브로드웨이 무대에 올려 명성을 얻었는데, 원작의 호흡을 그대로 따르면서도 영화라는 매체의 특성을 살려낸 사실주의적인 연출방식은 대사와 캐릭터 중심의 드

셰익스피어 맥베스(MAC BETH) Act 3작품분석

night we hold a solemn supper sir,And Ill request your presence.BANQUO Let your highnessCommand upon me; to the which my dutiesAre with a most indissoluble tieFor ever knit.MACBETH Ride you this afternoon?BANQUO Ay, my good lord.MACBETH We should have else desired your good advice,Which still hath been both grave and prosperous,In this days council; but well take to-morrow.Ist far you ride?BANQUO As far, my lord, as will fill up the timeTwixt this and supper: go not my horse the better,I must become a borrower of the nightFor a dark hour or twain.MACBETH Fail not ou

오늘 본 자료 더보기

오늘 본 자료가 없습니다.

최근 판매 자료

Naver 로그인

Kakao 로그인