영문 HANNIBAL 한니발 영화 대사
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추천 연관자료
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H A N N I B A L
Screenplay
by
Steven Zaillian
Based on the Novel
by
Thomas Harris
Revision
February 9, 2000
INT. PANEL VAN - DAY
Clarice Starling is dead, laid out in fatigues across a bench
in the back of a ratty, rattling undercover van. Three other
agents sit perched on the opposite bench, staring at her
lifeless body.
BURKE
How can she sleep at a time like this?
BRIGHAM
Shes on a jump-out squad all night;
shes saving her strength.
INT. UNDERGROUND GARAGE - DAY
Gray cement walls blur past as the panel van descends a
circular ramp to a lower level. As it straightens out, the
view through the windshield reveals a gathering of men and
vehicles - marked and unmarked DC police cars - and two black
SWAT vans.
The panel van - with Marcells Crab House painted on its
sides - pulls to a stop. The back doors open from the inside
and Starling is the first one out - well-rested and alert -
hoisting down her equipment bag.
One of the DC policemen, the one whose girth and manner
say hes in charge, watches the woman by the van slip into a
Kevlar vest, drop a Colt .45 into a shoulder holster, and a
.38 into an ankle holster. She straightens up, approaches
the men and lays a street plan across the hood of one of
their cars.
STARLING
All right, everyone, pay attention.
Heres the layout -
BOLTON
Excuse me, Im Officer Bolton, DC Police.
STARLING
Yes, I can see that from your uniform
and badge, how do you do?
BOLTON
Im in charge here.
Starling studies him a moment. He sniffs as if that might
help confirm his weighty position.
STARLING
You are?
BOLTON
Yes, maam.
Starlings glance finds Brighams. His says, Just let it
go. Hers says back, I cant.
STARLING
Officer Bolton, Im Special Agent
Starling, and just so we dont get off
on the wrong foot, let me explain why
were all here.
Brigham shakes his head to himself in weary anticipation of
her explanation.
STARLING
Im here because I know Evelda Drumgo,
Ive arrested her twice on RICO warrants,
I know how she thinks. DEA and BATF, in
addition to backing me up, are here for
the drugs and weapons. Youre here, and
its the only reason youre here, because
our mayor wants to appear tough on drugs,
especially after his own cocaine
conviction, and thinks he can accomplish
that by the mere fact of having you tag
along with us.
Silence as the gathering of agents and policemen stare at her
and Bolton.
BOLTON
You got a smart mouth, lady.
STARLING
Officer, if you wouldnt mind, Id
appreciate it if you took a step or two
back, youre in my light.
Bolton takes his time, but eventually backs away a step.
STARLING
Thank you. All right.
(re: the street plan)
The fish market backs on the water.
Across the street, ground floor, is the
meth lab --
EXT. FISH MARKET AND STREETS - DAY
The Macarena blares from a boom box. Snappers, artfully
arranged in schools on ice, stare up blankly. Crabs scratch
at their crates. Lobsters climb over one another in tanks.
One of the black SWAT vans turns down a side street. The
other takes an alley. The Marcells Crab House van continues
straight along Parcell Street.
INT. PANEL VAN - DAY
A 150-pound block of dry ice tries to cool down the heat
from all the bodies in the van - Starling and Brigham, the
two other agents, Burke and Hare, and her new best friend,
Officer Bolton. As they drive along, Bolton watches as she
takes several pairs of surgical gloves from her equipment
bag, slips one pair on, and hands the rest to the others, the
last pair offered to him.
STARLING
Drumgos HIV positive and she will spit
and bite if shes cornered, so you might
want to put these on.
(Bolton takes the gloves and
puts them on)
And if you happen to be the one who
puts her in a patrol car in front of the
cameras, and I have a feeling you will
be, you dont want to push her head down,
shell likely have a needle in her hair.
EXT. FISH MARKET AREA - DAY
The swat vans pull into position, one to the side of the
building across from the fish market, the other around back.
As the battered van pulls to the curb in front, a mint low-
rider Impala convertible, stereo thumping, cruises past.
INT. PANEL VAN - DAY
The thumping fades, leaving the Macarena filtering in.
Starling pulls the cover off the eyepiece of a periscope
bolted to the ceiling of the van and makes a full rotation
of the objective lens concealed in the roof ventilator, catching
glimpses of:
A man with big forearms cutting up a mako shark with a
curved knife, hosing the big fish down with a powerful hand-
held spray.
Young men idling on a corner in front of a bar. Others
lounging in parked cars, talking. Some children playing by
a burning mattress on the sidewalk; others in the rainbow
spray from the fishmongers hose.
The building across from the fish market with the metal door
above concrete steps. It opens.
STARLING
Heads up.
A large white man in a luau shirt and sandals comes out
with a satchel across his chest, other hand behind the case.
A wiry black man comes out the door behind him, carrying a
raincoat, and behind him, Evelda Drumgo.
S
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