영문 RONIN 로닌 영화 대사

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본문내용: RONIN
an original screenplay by
J.D. Zeik
DRAFT: May 20, 1997
A BLOOD RED SCREEN - A JAPANESE DRUM starts to play, softly,
but tinged with a desperate edge, growing louder, joined by
other DRUMS as a BLACK LEGEND scrolls up: In feudal Japan,
the warrior class of Samurai were sworn to protect their
liege lords with their lives. Those Samurai whose liege was
killed suffered a great shame, and they were forced to wander
the land, looking for work as hired swords or bandits. These
masterless warriors were no longer referred to as Samurai,
they were known by another name: Such men were called Ronin.
The words hang on the screen and we hold for a BEAT, and then
the DRUMS are cut off by - A SILENCED GUN SHOT: Thwpfft...
FADE IN ON:
INT. A MEDIEVAL CATHEDRAL - NIGHT
Its dark, and so it takes us a minute to realize were
MOVING UP STONE SPIRALING STAIRS, up up up in what we now see
is a medieval cathedral. And as we continue MOVING UP
something TRICKLES DOWN INTO FRAME - BLOOD. Running thin,
then thicker, as we CONTINUE TO MOVE UP the stairs and find -
A BODY, sprawled awkwardly across the stones, arms and legs
akimbo, not so much Christ-like as victim-like. In one hand
the Body holds a GUN he never had a chance to use. In the
other - A DARK SHAPE, we cant quite tell what it is.
FOOTSTEPS sound from above and - THE KILLER walks into frame,
silenced pistol dangling at his side. We dont know him, and
its going to be a while before we see him again, but mark
his face because well see him again. The Killer now picks
up the dark shape in the Bodys hand, and we see its - A
BRIEFCASE. The Killer cuffs the Briefcase to his wrist and
turns to - TWO MEN standing behind him: subordinates. The
Killer shows them the Briefcase.
KILLER
God loves me.
THE BODY suddenly twitches -- this guy is not quite dead.
The Killer raises his silenced pistol.
KILLER
(to his victim)
But I dont think hes too fond of you...
SLAM CUT TO:
EXT. A BACK STREET - PARIS - NIGHT
A PHONE RINGS, replacing the sound of the silenced gun shot
we expected to hear.
Rain-slicked cobblestones gleam in a twinkling of
streetlight.
EXT. A PHONE BOOTH AT THE END OF THE STREET
The source of the ringing. We start to PUSH SLOWLY IN one the
phone booth, and as we do we hear the VOICE of an UGLY
AMERICAN.
UGLY AMERICAN (V.O.)
What is this?
CUT TO:
INT. A DRIVE BAR IN PARIS - NIGHT
A SOCCER MATCH is in progress on a TV which sits above the
bar in this smokey, dim dive.
UGLY AMERICAN (O.S.)
This is not football...
And now were PULLING BACK DOWN THE LENGTH OF THE BAR. We
see THREE MEN sitting seperately at the bar, paying no
attention to each other. One of these men watches the game
with real interest. The Ugly American talks on from off
screen.
UGLY AMERICAN (O.S.)
(continuing)
...Football is three hundred pound guys,
they run way too fucking fast, they got
helmets made of kevlar they use to spear
the quarterback into the next life.
SLAM CUT TO:
EXT. THE STREET OUTSIDE
The phone is still ringing, louder now, and were MOVING
TOWARDS it while looking THROUGH AN UNSEEN PAIR OF EYES, and
even as we drink this in were back in -
INT. THE BAR
AT THE END OF THE BAR - LARRY, the Ugly American. Hes got
an obvious attitude, all of it bad. But theres something
about the guy -- hes not all bluster, and he has the look of
a seasoned tough guy who knows how to get rough and tumble.
Hes big, and yeah hes got a gut, but the rest of him looks
solid.
LARRY
(talking to the air)
You wanna know what football is? Its
hitting the other guy dirty and then
spitting in his face when hes down.
Football is all things American, and
American is A-Number-One the absolute
fucking best there is. Thats what
football is...
(he points to the TV)
...And thats not football.
The one man at the bar whos been watching the gam turns
slowly and gives Larry a long look. This is VINCENT: French,
hard boiled and solid. Charming when he wants to be, which
isnt all that often. He gives Larry a long look and then
speaks -
VINCENT
(to Larry in perfect English)
Football -- American football -- is a
game for faggots.
A BEAT. The other two men at the bar, who seem like tough
customers themselves, pretend not to watch too closely, but
theyre interested: whats Larry going to say? For a moment
it seems as if hes pissed, but then suddenly a smile breaks
out on his face and he laughs heartily at Vincents remark.
Vincent joins in, as do the others. In particular - THE
BARTENDER looks relieved -- hes tough enough to toss a bar
drunk, but these guys are in a different league. The
Bartender laughs with the others, happy to have avoided a
confrontation as we go back to -
EXT. THE STREET OUTSIDE
Were almost ON TOP OF the phone booth, the phone is still
ringing as a HAND reaches INTO FRAME and snatches the phone
from its cradle.
A WOMANS VOICE (V.O.)
(a touch Irish accent)
Yes?
ANOTHER ANGLE - And we see a woman named DEIRDRE on the
phone: striking, dark-haired, Irish. She carries herself
with the same professional edge as the men inside th

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