영문 MEET JOEBLACK 조 블랙의 사랑 영화 대사
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추천 연관자료
- 본문내용
-
MEET JOE BLACK
Screenplay
by
Bo Goldman
EXT. ANNANDALE-ON-HUDSON, N.Y. - 4:00 AM
A patch of water. PULL BACK TO REVEAL more water. BACK
FARTHER TO REVEAL an expanse of river, up the bank to
massive lawn running up to a great, classic Hudson River
manor house; the country estate of William Parrish.
INT. PARRISH COUNTRY ESTATE - 4:00 AM
MOVE THROUGH French doors that lead from a wide terrace into
an expansive living room, DOWN wide corridors lined with
Bierstadt and Cole paintings, the Hudson River School, mists
and trees and small boats and distant humans.
INT. PARRISH BEDROOM - 4:00 AM
MOVE THROUGH the doorway to reveal a master bedroom furnish-
ed with exquisite simplicity, revelatory of its sleeping
occupant, WILLIAM PARRISH, 64, a warm but commanding face, a
man of maturity yet who exudes a glow of enthusiasm.
Although asleep, there is an uncommon restlessness to him.
Parrish grips his upper arm as if in pain. Now the severity
of the pain wakes him, he squeezes his arm. The wind comes
up, through the wind a VOICE is heard distantly, or is it the
wind itself:
VOICE (V.O.)
... Yes.
Parrish blinks, has he heard something, has he not, he is
not sure, he releases his arm, his grimace of pain fades,
the discomfort seems momentarily to have subsided.
He rises now, crosses to the bathroom. As he pees, a breeze
outside the window, the wind again, but then the Voice comes
up:
VOICE (V.O.)
Yes...
It is unmistakably a Voice, it is not the wind, Parrish has
heard something, he looks around, but no one is there. He
cant finish peeing, turns back to his bedroom. All beweild-
ered, Parrish looks around once more, climbs back into bed,
trying to trace the source of what he has heard or hasnt
heard; he is not sure.
He pulls the covers up now, not a SOUND, tries to close his
eyes.
VOICE (V.O.)
Yes.
Parrish sits up again, frightened, but still there is no one
there, he seems fraught with indecision, should he get up,
should he not, what is happening? He looks out: absolute
stillness and silence, CRICKETS chirp down by the river, a
light FLICKERS from a shadboat, Parrish closes his eyes but
then they flutter open, he glances up at the ceiling and
finally, exhausted, falls back asleep.
EXT. REAR TERRACE, PARRISH COUNTRY ESTATE - NEXT MORNING
The great lawn infested with workmen, planting stakes, un-
rolling a huge canvas tent, gardeners fashioning topiary and
adding landscaping of their own, crews setting up platforms,
speakers, lights. Ubiquitous is ALLISON, 35, Parrishs
older daughter, foremen competing for her attention and she
relishing every moment.
A Painter approaches.
PAINTER
The big tent, Miss Allison --
ALLISON
Paint is rust and moss green.
Medieval colors -- Daddys like
an old knight.
A Florist stops her.
FLORIST
The head table --?
ALLISON
What about it?
FLORIST
The flowers, maam--?
ALLISON
Freesia, freesia, everywhere. Daddy
loves freesia -- and you, over there,
lights. Not too bright. Im looking
for a saffron glow -- sort of tea-
dance twenties.
EXT. GREAT HALL, COUNTRY ESTATE - MORNING
Parrish, groomed for the day, trots down the stairs, observ-
ing the activity outside through the windows. He checks his
watch, strides down the hall, encounters MAY, 50, a family
retainer who is opening the doors to the terrace as Parrish
passes.
PARRISH
What do you think of all this, May?
MAY
Its going to be beautiful. And
Miss Allison says the President may
come.
PARRISH
Oh, the Presidents got better
things to do than come to my
birthday party.
MAY
(smiling)
What?
Parrish grins, continues on, is intercepted by Allison who,
on catching sight of him, bounces in from the terrace.
ALLISON
Daddy!
PARRISH
Hi, Allison --
ALLISON
Have you got a minute?
PARRISH
Not much more. Big day in the big
city. Whats on your mind?
ALLISON
Fireworks. Update -- were con-
structing the number 65 on the
barge, archers from the State
College at New Paltz will shoot
flaming arrows at it, when it
catches fire it will give us the
effect of a Viking funeral with none
of the morbidity... The Hudson River
Authority says, for you, theyll
make a special dispensation - of
course therell be an overtime bill
for the Poughkeepsie Fire Dept...
PARRISH
Allison, I trust you. This is your
thing.
ALLISON
But its your birthday.
Parrish smiles complaisantly, they continue on into a break-
fast room where SUSAN, 30, Parrishs younger daughter, is
grazing at a table laden with cereals and fruits and coffee.
SUSAN
Good morning, Dad.
PARRISH
Hi, honey.
ALLISON
(to Susan)
Im Allison, youre honey.
SUSAN
(smiling)
Drew called from the AStar, theyre
still two minutes away.
PARRISH
Drews aboard?
SUSAN
He wanted to ride back down with
you. Now sit and relax, get some-
thing in that flat tummy of yours --
But Parrish only pours coffee.
SUSAN (contd)
(to Allison)
You coming?
ALLISON
Youve got patients waiting, Ive
got three hysterical chefs, one
loves truffles, the other hates
truffles, the third one doesnt know
what truffles are. Id better drive
down.
Parrish gazes at the going-o
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