영문 쇼생크 탈출 the shawshank redemption 영화 대사
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Shawshank Redemption, The
- By Frank Darabont.
1 INT -- CABIN -- NIGHT (1946)
A dark, empty room.
The door bursts open. A MAN and WOMAN enter, drunk and
giggling, horny as hell. No sooner is the door shut than
theyre all over each other, ripping at clothes, pawing at
flesh, mouths locked together.
He gropes for a lamp, tries to turn it on, knocks it over
instead. Hell with it. Hes got more urgent things to do, like
getting her blouse open and his hands on her breasts. She
arches, moaning, fumbling with his fly. He slams her against
the wall, ripping her skirt. We hear fabric tear.
He enters her right then and there, roughly, up against the
wall. She cries out, hitting her head against the wall but not
caring, grinding against him, clawing his back, shivering with
the sensations running through her. He carries her across the
room with her legs wrapped around him. They fall onto the bed.
CAMERA PULLS BACK, exiting through the window, traveling
smoothly outside...
2 EXT -- CABIN -- NIGHT (1946) 2
...to reveal the bungalow, remote in a wooded area, the
lovers cries spilling into the night...
...and we drift down a wooded path, the sounds of rutting
passion growing fainter, mingling now with the night sounds of
crickets and hoot owls...
...and we begin to hear FAINT MUSIC in the woods, tinny and
incongruous, and still we keep PULLING BACK until...
...a car is revealed. A 1946 Plymouth. Parked in a clearing.
3 INT -- PLYMOUTH -- NIGHT (1946) 3
ANDY DUFRESNE, mid-20s, wire rim glasses, three-piece suit.
Under normal circumstances a respectable, solid citizen; hardly
dangerous, perhaps even meek. But these circumstances are far
from normal. He is disheveled, unshaven, and very drunk. A
cigarette smolders in his mouth. His eyes, flinty and hard, are
riveted to the bungalow up the path.
He can hear them fucking from here.
He raises a bottle of bourbon and knocks it back. The radio
plays softly, painfully romantic, taunting him:
You stepped out of a dream...
You are too wonderful...
To be what you seem...
He opens the glove compartment, pulls out an object wrapped
in a rag. He lays it in his lap and unwraps it carefully --
-- revealing a .38 revolver. Oily, black, evil.
He grabs a box of bullets. Spills them everywhere, all over
the seats and floor. Clumsy. He picks bullets off his lap,
loading them into the gun, one by one, methodical and grim.
Six in the chamber. His gaze goes back to the bungalow.
He shuts off the radio. Abrupt silence, except for the distant
lovers moans. He takes another shot of bourbon courage, then
opens the door and steps from the car.
4 EXT -- PLYMOUTH -- NIGHT (1946) 4
His wingtip shoes crunch on gravel. Loose bullets scatter to
the ground. The bourbon bottle drops and shatters.
He starts up the path, unsteady on his feet. The closer he
gets, the louder the lovemaking becomes. Louder and more
frenzied. The lovers are reaching a climax, their sounds of
passion degenerating into rhythmic gasps and grunts.
WOMAN (O.S.)
Oh god...oh god...oh god...
Andy lurches to a stop, listening. The woman cries out in
orgasm. The sound slams into Andys brain like an icepick. He
shuts his eyes tightly, wishing the sound would stop.
It finally does, dying away like a siren until all thats left
is the shallow gasping and panting of post-coitus. We hear
languorous laughter, moans of satisfaction.
WOMAN (O.S.)
Oh god...thats sooo good...youre
the best...the best I ever had...
Andy just stands and listens, devastated. He doesnt look like
much of a killer now; hes just a sad little man on a dirt
path in the woods, tears streaming down his face, a loaded gun
held loosely at his side. A pathetic figure, really.
FADE TO BLACK: 1ST TITLE UP
5 INT -- COURTROOM -- DAY (1946) 5
THE JURY listens like a gallery of mannequins on display,
pale-faced and stupefied.
D.A. (O.S.)
Mr. Dufresne, describe the
confrontation you had with your
wife the night she was murdered.
ANDY DUFRESNE
is on the witness stand, hands folded, suit and tie pressed,
hair meticulously combed. He speaks in soft, measured tones:
ANDY
It was very bitter. She said she
was glad I knew, that she hated all
the sneaking around. She said she
wanted a divorce in Reno.
D.A.
What was your response?
ANDY
I told her I would not grant one.
D.A.
(refers to his notes)
"Ill see you in Hell before I see
you in Reno." Those were the words
you used, Mr. Dufresne, according
to the testimony of your neighbors.
ANDY
If they say so. I really dont
remember. I was upset.
FADE TO BLACK: 2ND TITLE UP
D.A.
What happened after you and your
wife argued?
ANDY
She packed a bag and went to stay
with Mr. Quentin.
D.A.
Glenn Quentin. The golf pro at the
Falmouth Hills Country Club. The
man you had recently discovered was
her lover.
(Andy nods)
Did you follow her?
ANDY
I went to a few bars first. Later,
I decided to drive to Mr. Quentins
home and confront them. They
werent there...
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