영문 러시아워 Rush Hour영화 대사

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2015.05.29 / 2015.05.29
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본문내용: RUSH HOUR
Original Screenplay
--------------------------------------------------------------------------------
RUSH HOUR
FADE IN:
EXT. LOS ANGELES - DAY
The whole dysfunctional megalopolis, beige and blurry in the
summer smog. If this is the American Dream, do me a favor and
wake me up.
EXT. LAX - DAY
The traffic loop outside the terminals is gridlocked -- mostly
with stretch limousines.
INT. LAX - (INCLUDE NEWS REPORT MONTAGE) - DAY
Inside, the airport is done up with festive posters, streamers
and banners: Welcome - Pacific Partners Summit
A planeload of cheerful CHINESE DELEGATES come into the
crowded terminal. Some sport red T-shirts with a picture of
Mao wearing Mickey Mouse ears.
They get onto the people mover, passing by a TV REPORTER:
REPORTER
(to TV CAMERA)
Eager to mend its tarnished image,
Los Angeles has really put out the
welcome mat for tomorrows summit.
The city promises quite a party as
leaders from Japan, China, South
Korea, Australia, the U.S. and
others begin talks for the largest
free-trade treaty in history.
The SCENE changes to TAPE of DELEGATES from other countries
arriving.
Then, we see massive SECURITY PREPARATIONS all around the city.
REPORTER (VO)
(continuing)
The one sour note is North Korea,
the only Pacific Rim country not
participating. There are rumors of
secret meetings with North Korean
representatives, but U.S. officials
insist the North must first hold
democratic elections, and halt its
nuclear weapons program -- as they
claimed to have done back in 1995.
We CUT TO a heated debate in the UN SECURITY COUNCIL.
Then ARTILLERY FIRE over the Korean DMZ.
The SCENE returns to LAX.
REPORTER (VO)
(continuing)
Tensions remain high since last
years skirmishes between North Korea
and the U.S. So any chance of the
communist North joining the Pacific
Partners seems highly unlikely.
DISSOLVE TO:
EXT. FREMONT PLACE - DAY
An exclusive, walled-off section of Hancock Park. Theres only
one route in and out, past a manned guardhouse on Wilshire.
EXT. NORTH KOREAN CONSULATE - DAY
A Colonial-style mansion, surrounded by an imposing, wrought-
iron fence. There is a bronze plaque, in English and Korean,
next to the entranceway:
Consulate
of the
Democratic Peoples Republic of Korea
The driveway gate opens and a long, black Mercedes with tinted
windows and diplomatic license plates glides out.
INT. NORTH KOREAN CONSULATE - SURVEILLANCE ROOM - DAY
An alert North Korean CORPORAL watches the perimeter MONITORS.
He pushes a switch to close the gate behind the Mercedes.
EXT. UTILITY POLE - OLYMPIC BLVD - DAY
From atop a pole outside the south wall, a man with binoculars
overlooks the private streets of Fremont Place.
HIS POV - THROUGH BINOCULARS
as the Mercedes cruises through the quiet neighborhood.
BACK TO SCENE
The man, PAUL JAVAL, is thirtyish, nervous; with short, sandy
hair. He takes the binoculars away from his face and we see
his eyes -- theyre a strange, unnaturally light gray.
Javal takes an ORANGE PILL from an unlabeled prescription
bottle and pops it into his mouth. He climbs down the pole to
a van with a phone company logo on it.
EXT. WILSHIRE BLVD - DAY
The Mercedes comes out of the Fremont Place gate, and turns
into the heavy morning traffic.
INT. MERCEDES - (MOVING SHOT) - DAY
It is extremely quiet, due to inch-thick glass on the windows
and 4,000 pounds of armor plating on the cars chassis.
The DRIVER is a North Korean Army Major. On the seat beside
him is an AMD-74, a 5.45x39mm-caliber machine gun.
A HAND from the back seat darts between the front seats and
turns on the RADIO to a ROCK station. The Driver turns it off.
NEW ANGLE
The hand belongs to 10-year-old SAM KE HAN. Sam sits back and
sighs to his sister, JOY (15). Between them sits a middle-aged
Scandinavian GOVERNESS.
SAM
I cant stand it -- half an hour to
get to the stupid school every
morning... with no music...
(Korean; subtitled)
[Just our damn Nanny...]
EXT. CRENSHAW BLVD - DAY
Javals van, also with tinted windows, turns onto Crenshaw. It
follows the Mercedes, several cars behind it.
INT. JAVALS VAN - (MOVING SHOT) - DAY
Javal, wired, drums on the steering wheel while driving. He
glances at some expertly constructed, radio-control REMOTE
UNITS sitting on the seat next to him.
EXT. SANTA MONICA FREEWAY - DAY
Traffic is moving at about 35 MPH. The Mercedes merges onto
the freeway, heading west. Javals van follows.
The thumping of a RAP SONG rattles the other drivers fillings
as a LOWRIDER with its stereo turned up to "11" cruises by.
INT. MERCEDES - (MOVING SHOT) - DAY
Even 500 watts of bass cannot penetrate the armored silence.
The Driver scans the road, wary but sensing no danger. He puts
on his blinker to take the 405 South exit.
EXT. SANTA MONICA FREEWAY - DAY
The van follows, now directly behind the Mercedes, in a
procession of vehicles going up the long, curved overpass
arcing 100 feet above the 10, toward the 405.
INT. JAVALS VAN - (MOVING SHOT) - DAY
As they approach the crest of the overpass, Javal flips a
switch on

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