영문 ENTRAPMENT 엔트랩먼트 영화 대사

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본문내용: ENTRAPMENT
Ronald Bass
First Draft Screenplay
December 2, 1996
Story by:
Ronald Bass
and Michael Herzberg
EXT. HANCOCK TOWER, CHICAGO - LATE NIGHT
Lake Shore Drive. Four oclock in the morning. Minimal traffic,
minimal life. As MAIN TITLES BEGIN, we PAN UP the face of...
...Hancock Tower. Up, up, forty floors, sixty, eighty, very dark
up here, street sounds fading fast, and as CREDITS CONTINUE we can
just make out...
...a dark FIGURE. Like a spider. Inching its way up the steel
surface of the 98th floor, and we CLOSE to see...
The THIEF. All in black, nearly invisible, with a sleek visored
helmet that conceals the face. Two long, oblong backpacks, climb-
ing ropes and harness across back and shoulders, tools at the belt.
Moving STRAIGHT UP the face of the skyscraper. How is it possible?
CLOSER still to see...
...the piton-like BOLTS are electromagnetic, CLANKING to the steel
to support weight. A button releases the magnetic charge when the
bolt is pulled up by cords to a higher position. The Thief is
remarkably strong and agile, scaling the wall with fluid precision,
until...
...our summit. A softly-lit, glass-walled PENTHOUSE on the
100th floor. Subtle spots which bathe paintings, sculptures,
in a cavernous coldly-decorated space.
Swiftly, deftly, the Thief rigs a suction-mounted HARNESS to the
steel casing above a massive window. Pulleys, metal caribiner
clips, yellow Kevlar ropes. So superbly practiced, the rigging is
placed in seconds, huge SUCTION CUPS pressed to the surface of the
glass. The Thief reaches to a metal rectangle at the top of the
rigging, touches a button, a motor WHINES, the ropes TIGHTEN and
the window...
...POPS FREE, hangs SUSPENDED by the Kevlar ropes which amazingly
sustain its awesome weight. The huge pane shudders in the wind,
and the Thief slips...
...INTO the Penthouse. Nearby, an ALARM BOX softly BEEPS its
60-second warning to the pulsing of a green light, and the Thief
attaches a small computerized DEVICE which runs a series of
possible CODES at dazzling speed on its display panel, until...
...the right one STOPS. Illuminated in red. The beeping, the
green light, go OFF. The device is removed.
Back to the window, air rushing in, attach a similar suction-
mounted harness from the inside, all exquisitely engineered to rig
in seconds, press new suction cups to the inside of the dangling
window pane. A small remote control clicker...
...RELEASES the outside suction cups. The windows weight now
supported by the interior rigging. The outside equipment pulled
INTO the apartment in a single tug. The WHINE of a motor, and the
pane pulls UP, the Thief expertly POPPING it into place.
No trace of entry.
Rapidly folding the rigging into an astonishingly compact bundle,
the Thief SCANS...
...the profusion of priceless art. The paintings run to Otto Dix,
Franz Marc, Marcel Duchamp. One statue an obvious Rodin. The soft
lighting makes walls seem invisible, everything with an infinity
perspective in mind. An obsidian slab dining table that seems to
end at the horizon.
The Thief has packed the rigging away, taken out a large cylin-
drical TUBE bearing a label we cant read. Knows the way, quickly
through the spectacular apartment, past oils by early German
expressionists, Russian futurists, a Rothko, a Kandinsky, a Francis
Bacon. The Thief has no interest in these, and as CREDITS CONTINUE,
we enter...
...a powder room. A lime-green poured concrete sink, a copper-
plated commode, and across from these...
...a single PAINTING. Unlike the others, clearly an Old Master.
A 17th century city on the water, churches, spires, an ancient
bridge. The Thief wastes no time, unceremoniously...
...CUTS the painting from its frame with sure, perfect strokes.
Rolls it quickly in acid-free paper. Opens the cylindrical tube,
pulling out...
...another CANVAS which we cannot see. Deftly unrolls this,
fitting it carefully into the stolen paintings now-empty frame.
Re-hangs it. Stares for a beat through the opaque helmet visor.
Approves. Slips the rolled-up stolen canvas into the empty tube.
Leaves. Before we follow, we shift angle to see the replacement
canvas...
A cheerful acrylic portrait. Bozo the Clown.
WITH the Thief now, moving fast, into a panelled library. There is
a CHUTE built into the wall, a brass lid with the words U.S. MAIL.
The Thief pops the labeled tube DOWN the chute. Gone. Steps...
...onto a bookshelf, reaches up to punch out an overhead grating,
and...
Disappears into the vent. Reaching back to refit the grating
seamlessly into place.
INT. VENT
Halogen flashlight leading the way, our Thief shimmies down the
narrow space, arriving at...
...an open vertical AIR SHAFT, BLASTING air straight up the 100
floor height of the skyscraper, with frightening FORCE. Calmly,
the Thief clips on a different harness, unzips a nylon cover from
the backpack, and simply...
LEAPS DOWN the air shaft, startling the shit out of us, as, for an
instant...
...the force of the updraft seems to HOLD the Thief in place,
suspen

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