영문 KNIGHT MOVES9 나이트 무브 영화 대사

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본문내용: KNIGHT MOVES
by
Brad Mirman
PROPERTY OF KNIGHT MOVES PRODUCTIONS
(third draft)
_ 1
FADE IN:
INT. AUDITORIUM - 1972 - DAY
TWO BOYS sit on opposite sides of a chessboard. One is NINE,
the other FOURTEEN. The room is SILENT, the tension between
the two young players severe. All the ADULT PLAYERS that have
been eliminated from this match by the two boys stand around
watching. On the wall is a BANNER that reads: 1972 WASHINGTON
STATE TOURNAMENT.
The FOURTEEN year old moves and hits his TIMER. Frustration
fills the NINE year olds face. He moves. The FOURTEEN year
old moves and calls CHECK. The NINE year old frantically
searches the board for a solution. He moves. Again the
FOURTEEN year old moves and calls CHECK. The NINE year is
stunned. He picks up his KING to lay it on its side and
signal defeat. Suddenly, he rakes the pieces off the board,
grabs his fountain pen and lunges at the FOURTEEN year old,
stabbing him repeatedly in the chest. They fall to the floor.
The ADULTS try to pull them apart. The NINE year old struggles
ferociously, SCREAMING and kicking like a mad man.
INT. HOSPITAL WARD - 1972 - DUSK
In the b.g. we see the Nine year old Boy sleeping. A DOCTOR
and the boys FATHER, a hard-looking MAN in his forties, walk
through the door. We MOVE with them down the hall.
DOCTOR
The pressures and demands players with
your sons abilities put on themselves
to win are incredible. The stress and
tension are difficult enough for adults
to handle, yet alone a nine year old.
FATHER
I cant afford to keep him in here
forever, you know.
DOCTOR
Id just like to keep him here over
night, then start sessions with a child
psychologist.
FATHER
I knew this would happen. This is his
mothers doing. Shes not strict
enough with him. I work all day. She
lays in bed drunk and the boy does
whatever he wants.
2
DOCTOR
After hes released its crucial that
hes supervised. The most important
thing is that during his treatment hes
not allowed anywhere near a chessboard.
EXT. HOUSE, BACKYARD - 1972 - DUSK
A small, tract home. The Boy sits on the ground, drawing in
the dirt with a stick. He does not notice as his Father walks
up and stands behind him.
FATHER
What are you doing?
The Boy is startled. He stands up quickly. In the DIRT we see
he has drawn a CHESSBOARD.
BOY
Nothing.
The Father SLAPS him across the face.
FATHER
Dont lie to me! What did the doctors
tell you about playing chess! Get in
the house!
The Father drags his foot across the dirt, erasing the board.
INT. BEDROOM - 1972 - NIGHT
The Boy is sitting on his bed. In the b.g. we HEAR the VOICES
of his PARENTS.
FATHER (OS)
Ive had it! Ive got a drunk for a
wife and a lunatic for a son. I dont
need this shit anymore!
We HEAR FOOTSTEPS.
FATHER (OS)
Youre crazy! Both of you.
We HEAR a DOOR SLAM. The Boy shows no sign of emotion.
3
INT. HALLWAY BLACK SCREEN - NIGHT
All is quiet except for a faint DRIPPING SOUND. A door is
slowly opened. Light streaks out into a hallway. We see the
NINE year old. He is barefoot and wearing pajamas. He looks
up. Drops of BLOOD drip from a crack in the ceiling above.
The Boy moves towards a staircase at the end of the hall.
INT. BEDROOM - 1972 - NIGHT
The Boy enters, takes a few steps into the room and stops. He
stares ahead blankly.
HIS POV: WOMANS ARM - CLOSE SHOT
The arm hangs off the bed, blood flows out of a deep gash in
her wrist and pools on the floor. The CAMERA moves up the arm.
A WOMAN in her forties lays in bed. The blood flows from her
other wrist, soaking into the mattress. Her eyes are closed,
head titled away from him.
The Boy shows no sign of emotion. He walks over to the
nightstand and starts to open her purse. There is a MOAN from
the WOMAN as she opens her eyes and turns her head toward the
boy. They lock eyes for a moment, then slowly, her eyes close.
The boy removes a key from the purse and walks to a dresser.
He unlocks a drawer and removes a box, then leaves the room.
INT. KITCHEN - 1972 - NIGHT
The Boy walks over to the table with a glass of MILK and
COOKIES. He sits down, his feet dangling from the chair and
opens the box. Inside is a CHESSBOARD and PIECES. He removes
them, sets up the board and starts to play.
CLOSE ON CHESSBOARD: The CAMERA moves from one side of the
board to the other, weaving through the chess pieces, then
PULLS BACK over the heads of the AUDIENCE.
INT. AUDITORIUM - PRESENT DAY - NIGHT
>From the rear of the room, over the HEADS of the AUDIENCE, we
see THREE TABLES on stage. A large board of the game is
presented on the wall behind each table.
CLOSE SHOT - PLAYERS EYES: We cut back and forth. Deep,
probing eyes, intensely focused and determined.
CLOSE ON THE CLOCK: It ticks methodically, and is the only
sound we hear.
4
THE AUDIENCE: watches with anticipation, their eyes locked on
the viewing board.
PETER SANDERSON sits on one side of the board. He is a
handsome man, in his early thirties. Well-dressed in an
expensive suit, there is an air of confidence about him. Peter
makes a move, then hits the timer. Peters

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