영문 Lost Highway 로스트 하이웨이 영화 대사

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본문내용: Lost Highway
The Screenplay
Typed (well, scanned actually) by Mike Dunn
모
모
A 21st Century Noir Horror Film.
A graphic investigation into parallel
identity crises.
A world where time is dangerously out
of control.
A terrifying ride down the lost highway.
모
모
모
David Lynch
21 June 1995
모
모
모
AS CREDITS ROLL
EXT. TWO-LANE HIGHWAY - NIGHT
We see a clean moving POV illuminated by headlights. Were
floating down an old two-lane highway through a desolate,
desert landscape. This gliding, eerie POV continues as
credits roll. when the credits end, the headlights seem to
dim and soon were moving through BLACKNESS.
FADE OUT:
FADE IN:
INT. THE MADISON HOUSE - BEDROOM - DAY
in the blackness, a man, FRED, is sitting on a bed smoking a
cigarette. we see his back, but with each glow of the
cigarette ash, we see his face reflected in a mirror on the
wall across from him. In the darkness, there starts the
sound of a motor which draws curtains back across a large
picture window just off screen. As the curtain moves, hard-edged
light begins crawling across the room, and we see
everything clearly. Fred is wearing a robe and pajamas, its
early morning.
CLOSE UP ON FREDS FACE IN THE MIRROR - Blank expression -
face somewhat obscured or distorted by smoke from the
cigarette.
CLOSE UP 0N FREDS ACTUAL FACE - Unshaven, haggard look, eyes
seem empty, glazed over. Fred is 32 years old, with dark
hair.
THE DOORBELL RINGS. Fred looks up, startled by the noise.
He looks at the digital clock: 5:30 a.m.
FRED STANDS, goes to an INTERCOM on the wall next to the
mirror. He pushes a button.
A VOICE comes over the intercom.
VOICE OVER
INTERCOM
Dick Laurent is dead.
Fred leaves the bedroom and goes through the house. He is on
the upstairs level. He looks through a narrow slot window,
but cant see the front door below. He goes further in the
house to a picture window that overlooks the street below.
There is NOBODY there.
CUT TO:
모
모
EXT. THE MADISON HOUSE - DAY
We can see Fred standing at the picture window, looking out.
FADE OUT:
FADE IN:
INT. THE MADISON HOUSE - LIVING ROOM - NIGHT
Fred is dressed to go out: Black sport coat and slacks,
buttoned up white shirt. He picks up a music case. A woman
comes into the room. This is Freds wife, RENEE, 30 years
old, dark hair, dressed smartly, a drink in her hand.
RENEE
You dont mind that Im not coming
tonight?
FRED
What are you going to do?
RENEE
I thought Id stay home and read.
Fred looks her over, shes sexy without trying.
FRED
Read?... Read what, Renee?
Renee sits down on a couch and sips her drink. Fred comes
over to her, kisses her on the neck, which makes her laugh.
FRED
Its nice to know I can still make you
laugh.
RENEE
I like to laugh, Fred.
FRED
Thats why I married you.
RENEE
Wake me up when you get home.
Fred brushes her cheek with his fingers, allowing them to
linger for a moment on her face.
CUT TO:
모
모
EXT. CITY STREET - NIGHT
A blue neon sign reads: LUNA LOUNGE.
CUT TO:
INT. LUNA LOUNGE - NIGHT
Fred is on the bandstand. He takes a solo on his saxophone.
Fred plays hot, hard, neo-bop. The BAND wails madly behind
him. The PATRONS <u>explode</u> onto the dance floor, making it a
wild scene. Fred Is a lion now, roaring away on his tenor,
driving everyone nuts.
CUT TO:
INT. LUNA LOUNGE - LATER
After the band quits to take a break, FEMALE FANS come onto
Fred, but he moves away, refusing their attentions.
CUT TO:
INT. LUNA LOUNGE - BACKSTAGE - LATER
Fred dials a pay phone.
CUT TO:
INT. The MADISON HOUSE - NIGHT
We move through the empty living room - empty bedroom, etc.
The ringing telephone goes unanswered.
CUT TO:
INT. LUNA LOUNGE - BACKSTAGE - NIGHT
CLOSE UP 0N FPEDS FACE as he listens to the ringing.
Sweat is still rolling off his face. His eyes are blank.
CUT TO:
EXT. THE MADISON HOUSE - NIGHT
Freds car pulls up in the driveway in front of his house.
Fred gets out, and goes into the house carrying his music
case.
CUT TO:
모
INT. THE MADISON HOUSE - NIGHT
Fred puts down his music case, goes to the bedroom, and sees
Renee sleeping soundly.
FADE OUT:
FADE IN:
EXT. THE MADISON HOUSE - DOORSTEPS - DAY
Renee in a bathrobe, opens the front door to collect the
mail. She sees a plain, clean, manila envelope lying on the
step. She picks it up.
CLOSE UP ON THE ENVELOPE - No stamp, no writing, blank. She
takes the mail from the box, and goes back into the house.
CUT TO:
INT. THE MADISON HOUSE - LIVING ROOM - DAY
Renee opens the manila envelope. Shes noticeably nervous
when she sees a videotape inside. She stares at it.
Fred enters, also wearing a bathrobe. He sees Renee staring
at the videotape - before she hears him enter. When she does
hear him, her eyes jerk away from the tape.
FRED
Whats that?
RENEE
A videotape.
FRED
Whos it from?
RENEE
I dont know... Theres no return address
on the envelope... In fact, theres no
address on it.
FRED
Does it say anything on the tape?
RENEE
(looking it over)
No, nothing.
Fred walks over and picks up the tape.
FRED
Well, lets see whats on it.
Fred takes the tape to the V

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