| °Ë»ö¾î ¿µÈÇ¥Áö ÀÇ Àüü °á°ú¹° ÃÑ 3,730 °ÇÀ» ã¾Ò½À´Ï´Ù. |
·¹Æ÷Æ® (3,674) |
| |
|
 |
[Ç¥ÇöÁÖÀÇ, ´Ù¸®ÆÄ, û±â»çÆÄ, Ç¥ÇöÁÖÀÇ¿µÈ, Ç¥ÇöÁÖÀǰÇÃà, Ç¥ÇöÁÖÀǽÃ] Ç¥ÇöÁÖÀÇÀÇ ´ëÇ¥Àû ±×·ì ´Ù¸®ÆÄ¿Í û±â»çÆÄ, Ç¥ÇöÁÖÀÇ ¿µÈ, Ç¥ÇöÁÖÀÇ °ÇÃà, Ç¥ÇöÁÖÀÇ ½Ã¿¡ °üÇÑ ºÐ¼® [ÇöÀç⺸±â] |
| ¿µÈµéÀº °øÆ÷, Áõ¿À, »ç¶û, ºÒ¾È µîÀÇ Àΰ£ÀÇ ³»Àû ÀǽÄÀÇ Àý¹ÚÇÑ »óŸ¦ °´°üÀûÀÎ »ó¡À» ÅëÇØ ¾ç½ÄÈÇÏ·Á´Â °æÇâÀÌ ÀÖ¾ú°í, ÀÌ·¯ÇÑ Àǹ̿¡¼ °úÀåµÈ ¸®¾ó¸®Æ¼ÀÇ Çü»óȶó°í ÇÒ ¼ö ÀÖ´Ù.
¥±. Ç¥ÇöÁÖÀÇÀÇ ´ëÇ¥Àû ±×·ì ´Ù¸®ÆÄ¿Í û±â»çÆÄ
1. ´Ù¸®ÆÄ
Ç¥ÇöÁÖÀÇ |
Ç¥ÇöÁÖÀÇ, ´Ù¸®ÆÄ, û±â»çÆÄ, Ç¥ÇöÁÖÀÇ¿µÈ, Ç¥ÇöÁÖÀǰÇÃà |
|
·¹Æ÷Æ® > »çȸ°è¿ | ÆäÀÌÁö¼ö : 7 | °¡°Ý : 2,000 |
 |
|
 |
¿µÈ¿Í ¼Ò¼³ ºñ±³ºÐ¼® ¡®ÁøÁֱͰÉÀ̸¦ÇѼҳà' [ÇöÀç⺸±â] |
| ¡®ÁøÁÖ ±Í°í¸® ¼Ò³à¡¯ Ã¥À» ÀÐÀº °ÍÀº ¾Æ´ÏÁö¸¸, ÀÌ Ã¥ÀÇ Ç¥Áö¸¦ º» ÀûÀÌ ÀÖ´Ù. ¸Ó¸®¿¡ µÎ°ÇÀ» µÎ¸£°í, ±Í¿¡´Â Å« ÁøÁÖ ±Í°ÉÀ̸¦ ÇÑ ¼Ò³à. Ç¥Á¤ÀÌ Á¤¸» ½Åºñ·Î¿ö º¸¿´´Ù. µÎ·Á¿ö º¸À̱⵵ Çϰí, ½½ÆÛ º¸À̱⵵ ÇÏ´Â ´«, ¹«¾ùÀ» ¸»ÇÏ´Â µíÇÑ Á¶±Ý ¹ú¸° ÀÔÀÌ µ¸º¸ÀÌ´Â ÀÌ |
¿µÈ, °¨»ó¹®, ºÐ¼®, ÁøÁֱͰÉÀ̸¦..., ÁøÁֱͰÉÀÌ, ÁøÁÖ, ¿µÈºÐ¼® |
|
·¹Æ÷Æ® > ¿¹Ã¼´É°è¿ | ÆäÀÌÁö¼ö : 4 | °¡°Ý : 1,000 |
 |
|
 |
[Áß±¹¹®È] ¿µÈ `ºÏ°æÀÚÀü°Å`¿¡ ³ªÅ¸³ Áß±¹»çȸÀÇ ¾ç¸é¼º [ÇöÀç⺸±â] |
| ¿µÈ Áø¿´ë ÇÑÂÊÀ» ÃʶóÇÏ°Ô Àå½ÄÇϰí ÀÖ´Â Áß±¹¿µÈ Áø¿´ë¿¡´Â ´«±æÁ¶Â÷ °¡Áö ¾Ê¾Ò´Ù. DVD°¡°Ô¿¡ ÀÖ´Â ´ëºÎºÐÀÇ ¿µÈ¸¦ ¸ðÁ¶¸® ¼··ÆÇØ ¹ö¸° ³ª´Â »õ·Î¿î º¼°Å¸®¸¦ ã¾Æ Áß±¹¿µÈ Áø¿´ë ÂÊÀ¸·Î ´«À» µ¹·È´Ù. Å« ±â´ë ¾øÀÌ À̸®Àú¸® ´«À» µ¹¸®´ø ³ª´Â ³ë¶õ»ö Ç¥ÁöÀÇ |
ÀÚÀü°Å, ±¸¿þÀÌ, º£ÀÌ¡, ±¸¿þ, ¿µÈ, Áß±¹, Áö¾È, ³ó¹Î°ø, ¿©ÀÚÄ£±¸, Ä£±¸ |
|
·¹Æ÷Æ® > »çȸ°è¿ | ÆäÀÌÁö¼ö : 4 | °¡°Ý : 1,100 |
 |
Çмú³í¹® (27) |
| |
|
 |
¹Ì±¹ ¹«¼º¿µÈ¿Í ¹éÀÎ ±¹°¡ÀÇ Åº»ý [ÇöÀç⺸±â] |
Media, including print-capitalism, have played very important constitutive roles in the building processes of modern nations as imagined communities. Likewise, American silent film at the early 20th century also made significant contributions to the ¿µÈµé¿¡¼ ¹éÀÎ Áö¹èÀÇ ÀÎÁ¾Àû À§°èÁú¼´Â ¹éÀμº¿¡ ÀçÇöÀû ±Ç·ÂÀ» ºÎ¿©Çϰí ÈæÀμº¿¡´Â ŸÀÚ¼ºÀÇ Ç¥ÁöµéÀ» ºÎ¿©ÇÏ´Â ¹éÀμºÀÇ ºñ°¡½Ã¼º¿¡ ÀÇÇØ È®¸³µÈ´Ù. ¹Ì±¹ ¹«¼º¿µÈ´Â ¿©·¯ ¹æ½ÄÀ¸·Î ÀÎ... |
|
| Çмú³í¹® > Àι®°úÇÐ > Çѱ¹»ç > Çѱ¹¹Ì±¹»çÇÐȸ - |
 |
|
 |
È«»ó¼ö ¿µÈ¿¡ ÀçÇöµÈ ¡®¼¿ï¡¯ÀÇ °ø°£Àû ÀÇ¹Ì [ÇöÀç⺸±â] |
This research aims to investigate the spatial sense of ¡®Seoul¡¯-including ¡®sense of place,¡¯ ¡®placeness,¡¯ and ¡®cultural topography¡¯-represented in Sangsoo Hong¡¯s films Tale of Cinema and The Day He Arrives. Unlike Hong¡¯s other films, th º» ¿¬±¸´Â È«»ó¼ö ¿µÈÁß¿¡¼µµ ¡®¼¿ï¡¯À» ±ØÀû ¹è°æÀ¸·Î ÇÏ´Â ¡´±ØÀåÀü¡µ°ú ¡´ºÏÃ̹æÇ⡵À» ºÐ¼® ´ë»óÀ¸·Î »ï¾Æ, µÎ ÀÛǰ¿¡ ÀçÇöµÈ Àå¼ÒÀû Á¤Ã¼¼º°ú ¹®È ÁöÇüÀ» ÅëÇØ ¼¿ïÀÇ °ø°£Àû Àǹ̸¦ ´ÙÃþÀûÀ¸·Î ¹à... |
|
| Çмú³í¹® > ¾î¹®ÇÐ > ±¹¹®ÇÐ > Çѱ¹¹®ÇÐÀ̷аú ºñÆòÇÐȸ - |
 |
|
 |
¡®±×·±µ¥¡¯ÀÇ ´ãÈ ±â´É ¿¬±¸ [ÇöÀç⺸±â] |
?;?;This study aims to examine the meaning and function of ¡®±×·±µ¥¡¯ by analyzing it from a discourse level. By focusing on the meaning of ¡®±×·±µ¥¡¯ which was not significantly dealt by previous researches done from a syntactic level, this study a Ç¥Áö·Î¼ÀÇ ¿ªÇÒµµ ´ã´çÇϰí ÀÖ´Ù. ÀÌ¿Í °°ÀÌ, ´ë¿ë¾ðÀÇ È°¿ëÇüÀÌ ÇϳªÀÇ ´Ü¾î·Î ±»¾îÁ® ¾îÈÖÈÇÏ°í ±× ¾îÈÖ°¡ ´Ù½Ã ÇϳªÀÇ Ç¥Áö ±â´ÉÀ» ÇÏ´Â º¯È¸¦ º»°í¿¡¼´Â ¹®¹ýÈÀÇ ÇÑ °úÁ¤À¸·Î ¼³¸íÇϰíÀÚ ÇÏ... |
|
| Çмú³í¹® > Àι®°úÇÐ > ±âŸ(Àι®°úÇÐ) > °¿ø´ëÇб³ Àι®°úÇבּ¸¼Ò - |
 |
|
 |
µðÁöÅРȯ°æ¿¡¼ ͏®±×·¡ÇÇÀÇ µðÀÚÀΠǥÇö ¾ç½Ä¿¡ °üÇÑ ¿¬±¸ [ÇöÀç⺸±â] |
Human used language, the means for communication, and has developed the letters to make up for restrictions in time and space. Initial letters were basic instrument to simply convey meanings, but after several centuries passing it has come to evolve ¿µÈ, ¿µ»ó, À¥»çÀÌÆ®, ȯ°æ µðÀÚÀÎ, Á¦Ç° µðÀÚÀÎ, ÀÇ»ó µðÀÚÀÎ µî ¸¹Àº µðÀÚÀÎ ºÐ¾ß¿¡ Ȱ¿ë µÇ°í ÀÖ´Ù. º» ¿¬±¸¿¡¼´Â ¾Æ³ª·Î±×Àû Ç¥ÇöÀΠ͏®±×·¡Çǰ¡ ¿µÈ, µå¶ó¸¶, åǥÁö, À¥»çÀÌÆ®... |
|
| Çмú³í¹® > ¿¹Ã¼´É > µðÀÚÀÎ > Çѱ¹µðÁöÅеðÀÚÀÎÇùÀÇȸ - |
 |
Ç¥Áö/¼ÓÁö/ÅÛÇø´ (27) |
| |
¼½Ä (2) |
| |
|
|