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  Trade Fair Booth, Àü½ÃºÎ½º, Shannon-Weaver Model, ¼Î³Í-À§¹ö ¸ðµ¨, Transmitter-Receiver model, ¹ß½ÅÀÚ-¼ö½ÅÀÚ¸ðµ¨, Exhibition Communication, Àü½Ã Ä¿¹Â´ÏÄÉÀ̼Ç
Àü½ÃºÎ½ºµðÀÚÀο¡¼­ ¼Î³Í-À§¹ö Ä¿¹Â´ÏÄÉÀÌ¼Ç ¸ðµ¨ÀÇ ÇѰè¿Í È®Àå°¡´É¼º¿¡ °üÇÑ ¿¬±¸ - ¿¹Ã¼´É > ¹Ì¼ú
 
 
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ÇöÀçÀÇ Ä¿¹Â´ÏÄÉÀÌ¼Ç »óȲÀº ´Ù¿øÀûÀÌ°í ´ÙÂ÷¿øÀûÀ̸ç, °¨¼ºÀûÀÌ°í °¨°¢ÀûÀÎ Ãø¸éµéÀÌ Áß¿ä½ÃµÇ°í ÀÖ´Ù. ÀÌ·¯ÇÑ »óȲ¿¡ ºÎÇÕµÇ°Ô Àü½ÃºÎ½º µðÀÚÀο¡¼­µµ ´Ù¿øÀûÀÌ°í ´ÙÂ÷¿øÀûÀÎ °ø°£Àû À̹ÌÁöÀÇ ±¸¼º¿¡ ´ëÇÑ ÀνÄÀÌ Á¡Â÷·Î È®»êµÇ°í ÀÖ´Ù. ±×·³¿¡µµ ºÒ±¸ÇÏ°í ¾ÆÁ÷ ÀÌ¿¡ ºÎÇյǴ Àü½ÃÄ¿¹Â´ÏÄÉÀÌ¼Ç ¸ðµ¨ÀÌ Á¤¸³µÇÁö ¸øÇÏ´Â ½ÇÁ¤À̸ç ÀÌ¿¡ ´ëÇÑ Á¤¸³Àº ÇʼöÀûÀ̶ó°í ÇϰڴÙ.À̸¦ À§ÇÑ ÀÛ¾÷ÀÇ ÀÏȯÀ¸·Î º» ¿¬±¸´Â ¿ì¼± ±âÁ¸ÀÇ Àü½ÃµðÀÚÀο¡¼­ ±âº»ÀûÀÎ Ä¿¹Â´ÏÄÉÀÌ¼Ç ¸ðµ¨ÀÇ ¿øÇüÀ¸·Î »ç¿ëµÇ¾î¿Â ¼Î³Í-À§¹ö Ä¿¹Â´ÏÄÉÀÌ¼Ç ¸ðµ¨À̶ó´Â ¹ß½ÅÀÚ-¼ö½ÅÀÚ¸ðµ¨À» Á¤È®È÷ ÀÌÇØÇϰí ÀÌ ¸ðµ¨³»¿¡¼­ »õ·Î¿î Ä¿¹Â´ÏÄÉÀÌ¼Ç ¸ðµ¨·ÎÀÇ È®Àå °¡´É¼ºÀ» ¸ð»öÇØº»´Ù. ¿©±â¿¡¼­ ºÐ¼®»ç·Ê·Î Á¦½ÃµÇ´Â ³»¿ëÀº ±âÁ¸ÀÇ ´Ü¼±Àû Àü´Þ¸ðµ¨¿¡ ºÎÇյǴ 2003³â µ¶ÀÏ ISPO Àü½ÃȸÀÇ ``Metzler Design``À̶ó´Â Àü½ÃºÎ½º¿Í È®ÀåµÈ ¸ðµ¨¿¡ ºÎÇյǴ 2006³â µ¶ÀÏ Çϳë¹öÀÇ DomotexÀÇ ``Armstrong Booth``ÀÌ´Ù. ¿¬±¸¹æ¹ýÀº ±âÁ¸ÀÇ Ä¿¹Â´ÏÄÉÀÌ¼Ç ¸ðµ¨µéÀÇ °¡Àå ´Ü¼øÈ­µÈ ¸ðµ¨ÀÎ ¼Î³Í-À§¹ö Ä¿¹Â´ÏÄÉÀÌ¼Ç ¸ðµ¨À» Á¤È®ÇÏ°Ô ºÐ¼®Çϰí ÀÌ·ÐÀûÀ¸·Î °ËÁõÇÏ´Â ¹æ½ÄÀÌ´Ù. ¿¬±¸¹üÀ§´Â ¼Î³Í-À§¹ö Ä¿¹Â´ÏÄÉÀÌ¼Ç ¸ðµ¨¿¡ ºÎÇյǴ »ç·Ê¸¦ ºÐ¼®Çϸç, ±× È®Àå°¡´É¼º°ú ÀÌ·¯ÇÑ È®Àå°¡´É¼º¿¡ ºÎÇյǴ »ç·Ê¸¦ ºÐ¼®ÇÏ´Â °Í¿¡ ÇÑÁ¤µÈ´Ù. º» ¿¬±¸ÀÇ °á°ú ´ÙÀ½°ú °°Àº ÀÌÇØ°¡ ȹµæ µÉ ¼ö ÀÖ¾ú´Ù. Áï °ÇÃàÀû ¾ð¾î¿Í ±âÈ£µéÀÌ Àü½Ãǰ°ú Àü½Ã°ø°£±×¸®°í Àü½ÃµðÀÚÀÌ³Ê¿Í ¹æ¹®°´µéÀÌ ¼­·Î °ü°èÇÏ´Â °¡¿îµ¥ ÃÑüÀûÀÎ Ä¿¹Â´ÏÄÉÀ̼ÇÀÌ ÀÌ·ç¾îÁø´Ù´Â °ÍÀÌ´Ù. ÀÌ °°Àº Ä¿¹Â´ÏÄÉÀ̼ÇÀº Áï°¢ÀûÀÌ°í °¨°¢ÀûÀÎ Çö´ëÀε鿡°Ô Àü½Ã¿¡ ´ëÇÑ ÀÀÃàµÈ °üÁ¡À» Á¦°øÇØÁÙ »Ó ¾Æ´Ï¶ó Àü½Ã´ë»ó°úÀÇ »óÈ£ÀÛ¿ë ¿ª½Ã °¡´ÉÄÉ ÇØÁØ´Ù. ¼Î³Í-À§¹ö ¸ðµ¨ÀÇ È®ÀåÀº Àü½ÃºÎ½º µðÀÚÀο¡¼­ ÀÌ °°Àº »õ·Î¿î Ä¿¹Â´ÏÄÉÀ̼ÇÀÇ ½ÇÇö°¡´É¼ºµé ÁßÀÇ Çϳª¸¦ Á¦°øÇØÁØ´Ù.
 
 
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In the contemporary communications are the multidimensional and emotional aspects of importance. Corresponding to this situation trade fair booth designers consider that the multiple construction of the spatial images must be indispensably made in the booth design. In spite of that it is not yet developed an appropriate communication model, which is in the moment in urgent need. This study is foremost purposed to analyze and to understand the procedures and core substances of the ``Shannon-Weaver Model`` as the framework of the communication models in the existing trade fair design. Moreover it is tried to grope for the extendability of the model and to arrange the ground for establishing the multidimensional communication model for the contemporary trade booth design. The analysis examples are ``Metzler Design`` as a lineal transmitting model of information that has been exhibited at ISPO in Germany in 2003, and ``Armstring Booth`` as an extension of the lineal model that has been exhibited at Domotex Hannover in Germany in 2006. The method of research follows the accurate analysis and the theoretical inspection of the ``Shannon-- Weaver Model`` as the most simplified model of the existing communication models. The range of research is limited to the comprehension of the ``Shannon-Weaver Model`` and the analysis of its expandability and a concrete example for that. This study results in the following understanding: in the contemporary trade fairs in which architectural languages and signs are expressed into space and form it exhibition products, exhibiting space, exhibition designer and visitors communicate with each other. The trade fair communication as a form of total communication furnishes the spontaneous and sensitive contemporaries not only a condensed perspective to the exhibition but also possibilities of the interaction with the exhibited. The extension of the Shannon-Weaver Model can bring one of the realizabilities of the new communication model in the trade fair booth design.
 
 
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