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 분야 |
: 예체능 > 무용 |
| 파일명 |
:  28000564.pdf |
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| 저자 : 9017 |
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| 저자 : 오상아 ( Sang Ah Oh ) |
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| 간행물정보 : 무용학회논문집 제50권,119~137쪽(총19쪽) |
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| 영문초록 |
| Many people think that our traditional dance tends not to stick to its own norm but to let it go freely. They call such kind of dance improvised dance. The variableness of the dance provided both the positive and negative images to dance critics and dancers. As time goes on, the unpreparedness of the traditional dance contributed more to bringing the artistic devaluation rather than its creativity. Among many types of dances, I think that Hanryangmoo is a typical example of the improvised traditional dances, and especially Moon Jangwonian Dongrae Hanryangchoom is a representative of the Hanryangmoo. The Dongrae Hanryangchoom was designated as the 14th intangible cultural property by Pusan Metropolitan City in December, 2005. The Dongrae Hanryangchoom receives more positive reactions due to its own improvisation while the Hanryangmoo follows more formalized patterns of dance. Since the Dongrae Hanryangchoom comes from the Hanryangmoo, it tends to be more faithful to its own characteristic of unpreparedness. The Hanryangmoo, however, pursues more pre-arranged types of dance. The typical example of the former dance is Moon Jangwonian Dongrae Hanryangchoom, and the example of the latter dance is Im Ihjosian Hanryangmoo. In this thesis I try to compare the two types of dances by analyzing them in terms of patterns and posture. I reached the following conclusions. First, the Moon Jangwonian Dongrae Hanryangchoom aims to achieve ecstatic catharsis by concentrating on the performance itself by ignoring audience in the place, while the Im Ihjosian Hanryangmoo focuses on entertaining audience rather than dancers themselves. Second, the Moon Jangwonian Dongrae Hanryangchoom shows more feminine characteristics in the performance, while the Im Ihjosian Hanryangmoo is masculine. You can enjoy delicate and gracious movement from the former dance, and more powerful and energetic patterns from the latter one. Third, the Moon Jangwonian Dongrae Hanryangchoom hesitates to use such instruments as Korean full-dress attire, hand fans, and a Korean traditional cap, while the Im Ihjosian Hanryangmoo heavily depends on them. Fourth, the Moon Jangwonian Dongrae Hanryangchoom intends to achieve artistic beauty by making improvised solo types of dance, while the Im Ihjosian Hanryangmoo is performed on the pre-arranged scenario as in drama. In spite of the differences between the two dances, they hold more in common. As mentioned in the above, the Moon Jangwonian Dongrae Hanryangchoom is originated from Hanryangmoo, which means that the two dances can help each other in order to contribute to developing Korean traditional dance. After the research of this thesis, I found the following facts: first, the two dances possess enough potential to be used as dancing practices in teaching more formalized other Korean dances; second, the two dances cannot be simply categorized into either feminine dance or masculine dance. They have developed themselves fully enough to become another prototype in Korean dance. |
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 Moon Jangwonian Hanryangchoom, Im Ihjosian Hanryangmoo |
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| 다운로드 |
: 28000564.pdf |
| URL |
: http://www.reportshop.co.kr/kstudy/2640102 |
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